THE AUGUSTINE PROJECT — MARK E. PAULL
HOLY SEE RECORDINGS · PAPAL VOICES

Pope Leo XIV at the Tomb of Saint Augustine

Basilica of San Pietro in Ciel d'Oro, Pavia · 20 June 2026. Watch the Vatican News video and hear the official Vatican Radio / Vatican News recording.

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Prepared specifically for the Diocese of Sacramento

Et venio in campos et lata praetoria memoriae, ubi sunt thesauri innumerabilium imaginum.

“I come to the fields and spacious palaces of memory, where are the treasures of innumerable images.”

St. Augustine · Confessions X.8.12
Mark E. Paull
Mark E. Paull
Writer · Montréal, Québec
Why now

An Augustinian moment in the life of the Church.

On 8 May 2025, Robert Francis Prevost became Pope Leo XIV — the first Augustinian Pope in the history of the Church. Before his election he had spent decades within the Order of Saint Augustine and served two terms as its Prior General.

This does not imply any Vatican affiliation with The Augustine Project. It does mean that a project concerned with Augustine, memory and the preservation of lived experience begins at an extraordinary moment: Augustine is unusually present in the public life of the Church.

First Augustinian Pope The Holy See's official biography identifies Leo XIV as the first Augustinian Pope in Church history.
Augustine carried close On the day of his election, Leo XIV wore a pectoral cross containing relics of Saint Augustine and Saint Monica.
Augustine at the Vatican In August 2025 the Vatican Museums presented Leo XIV with a newly restored 18th-century painting of Saint Augustine and an angel.
The Augustine Project

Preserving the living memory of the Church.

I am a writer. I am interested in what disappears before anyone realizes that it has become history: what an elderly priest remembers after fifty years, what a religious sister or brother remembers about a community that has changed, and what parishioners remember about a church before the doors close.

The records may survive. The people who can explain what those records meant will not always be here.

A first diocesan pilot
One interview · approximately one hour · one finished narrative of roughly 1,200–1,500 words · no charge.
The work

A conversation becomes a piece of writing worth keeping.

The purpose is not to produce another transcript, chronology, public-relations piece or institutional summary. It is to preserve a human voice and the knowledge carried inside it while the person who lived that history can still tell us what it meant.

01 · LISTEN

The interview

Approximately one hour by secure video, with enough room for memory to become specific rather than merely chronological.

02 · WRITE

The narrative

I turn the conversation into approximately 1,200–1,500 words of continuous finished prose. It is not a transcript.

03 · CORRECT

The record

The interviewee receives one factual-correction round. Nothing is invented. Where memory or documentary evidence ends, the writing says so.

Why Augustine

The name is deliberate.

Augustine has been my teacher for a long time. As a Jewish writer, I have been moved by the seriousness with which he examined memory, experience, truth and the life already lived.

I am not borrowing a Catholic identity. I am naming the project for a writer and thinker who understood that memory is not merely storage. It is part of how a human life becomes intelligible.

That is the discipline I want to bring to memories the Church may otherwise lose simply because nobody asked while there was still time.
The writing

The premise should not persuade you. The writing should.

The usefulness of this project depends upon whether the finished narrative actually carries a human voice honestly enough to deserve preservation.

The New York Times
The Globe and Mail
The Missouri Review
Intima
STAT News
Safeguards

The person interviewed remains a person, not source material.

An introduction is not consent. The interviewee gives informed written consent separately.
Sharing requires permission. The diocese receives the finished narrative only with the interviewee's separate written permission.
Nothing is invented. Where memory or documentary evidence ends, the writing says so.
The narrative is written by me. The commissioned narrative itself is written and edited by Mark E. Paull.
Faith is represented as the community holds it. I do not alter someone's theology to make the narrative easier for me.
Diocesan requirements are respected. I will comply with applicable screening, safeguarding or training requirements for an outside interviewer.
A small first step

An introduction is enough to begin.

If there is a priest, religious sister or brother, parishioner or community member whose living memory should be preserved, I would be grateful for an introduction. The first pilot is deliberately small and carries no diocesan cost.

Mark E. Paull
Montréal, Québec
markpaull56@gmail.com
+1 438 346 2476